DNA

Leading conceptual Wiradjuri and Ngunnawal artist Brook Andrew works across installation, digital media, film, photography, sound performance and neon. He has focused most consistently on photography and neon objects since the late 1990s. 

Unlike many of Andrew’s neon works, which are known for being politically outspoken, DNA strikes a humanist tone. The sculptural form represents the DNA helix, which determines the characteristics of every living creature. The artist described:  

‘This work reflects my own thoughts on the basic fundamentals of our intrinsic commonality, essentially our DNA. The DNA installation, to me, is a political work that evokes the basics of connection between races, class and politics.’ 

The work is a celebration of life and individuality and is a call to honour difference. 

Andrew’s work typically employs humour and tough social commentary to offer contemporary perspectives on global and regional politics, and explore his signature themes: colliding cultures, commonality, and difference. Andrew is a controversial artist who has completed many public art commissions and exhibited internationally. In 2020, Andrew curated NIRIN, the 22nd Biennale of Sydney, showcasing groundbreaking First Nations and artist-led works. His work is held in several major collections and he is represented by Galerie Nathalie Obadia, Paris and Brussels, RoslynOxley9 Gallery, Sydney and Tolarno Galleries, Melbourne.