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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Robbery Under Arms program, 1918

since been cleaned and conserved by Artlab. Credit Line Robbery Under Arms program, New Tivoli Theatre, 1918, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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Talks

Weekend of Words

Join us for a weekend of thought-provoking panels and inspiring conversations at Australia’s largest gathering of Asian and Asian Australian writers and thinkers at OzAsia Festival's Weekend of Words.

Digital

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5 min read

Artist Salvador Flores Loreto donates last portrait of Don Dunstan to Adelaide Festival Centre

his craft. In 1966, Loreto began his life in Australia. This move inspired a new energy in his artistic expression with the discovery of new freedoms, rich landscapes, and Australia’s characteristic

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History

performers out of work. At the same time, Frank Ford, had become concerned about the flood of visiting comedians in the Fringe program. "The Fringe was intended to be a national showcase for new talent

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Nicholas HANISCH

, Hanisch attended the New York Studio School, practiced and exhibited in Berlin, participated in residencies across India, and graduated with First Class Honours as a scholarship recipient at Adelaide Central School of Art. Showing 1 – 1 of 1 results Riff & Reprise Nicholas HANISCH (2023)

Digital

IWD2023 five
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18 min read

International Women’s Day 2023

day can be anything from meeting with a Festival Director to discuss new imagery for an upcoming festival, to measuring one of the many spaces in and around our theatres to resolve how a new

Digital

Virginia Gay Adelaide Cabaret Festival 2024 Artistic Director Photo by Claudio Raschella
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2 min read

Thank you for being a champion for the future of Cabaret! ​

Festival is able to invest in the future of cabaret, supporting the development of new works and the brightest emerging cabaret artists.  We are truly grateful for your support, and we can't wait to welcome you back in 2025 for the 25th anniversary of Adelaide Cabaret Festival! 

Digital

From the wings
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2 min read

From the Wings

Digital From the Wings Wednesday, 11 May 2022 2 min read Article Enjoy thought-provoking conversations from some of Adelaide Festival Centre’s most memorable events with our new podcast, From

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

The King and I set model designed by Brian Thomson, 1991 

In 1991, the Adelaide Festival Centre Trust produced The King and I to critical acclaim. After a successful Australian tour, the Trust made the ambitious decision to take the production to New York

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Barbara Hepworth

inspiration for her artwork. Hepworth's work was exhibited in a solo show in London in 1937 and won increasing recognition in the decade following the Second World War. She exhibited in New York

Digital

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4 min read

Uplifting musical transcends borders

justice to the heart-warming story of thousands of stranded passengers and the small town in Newfoundland, Canada, that welcomed them all. It’s been dubbed “aggressively nice” by New York Magazine, has

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The Twits Shake n Stir Teacher PL 2023 16

Professional Learning

more Follow us Find out about educator-specific programs and events and new teacher professional learning opportunities. Follow centrED on Facebook 

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Owen BROUGHTON

knowledge and research. In addition to Adelaide, Broughton produced public sculpture commissions for Canberra and Mildura and his works are represented in the Art Gallery of New South Wales. Showing 1 – 1 of 1 results Sundial Owen BROUGHTON (1973)

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The Real Reason People Wont Change HBR

differently than they usually do. After running several such tests, employees may feel ready to reevaluate the big assumption itself—and possibly even replace it with a new worldview that more accurately

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