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Karen Wyld searcy 444
Audio
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33 min listen

From the Wings: Ep. 2 - Our Words

Digital From the Wings: Ep. 2 - Our Words Monday, 30 May 2022 33 min listen Audio Episode two of our new podcast features the second of three conversations recorded at OUR WORDS in 2021, a unique

Digital

OUR WORDS Searcy
Audio
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39 min listen

From the Wings: Ep. 3 - Our Words

Digital From the Wings: Ep. 3 - Our Words Sunday, 12 June 2022 39 min listen Audio Episode thee of our new podcast features the final conversation recorded at OUR WORDS in 2021, a unique event

Digital

IWD2023 five
Article
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18 min read

International Women’s Day 2023

day can be anything from meeting with a Festival Director to discuss new imagery for an upcoming festival, to measuring one of the many spaces in and around our theatres to resolve how a new

Digital

OUR WORDS 2 Searcy
Audio
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41 min listen

From the Wings: Ep. 1 - Our Words

Digital From the Wings: Ep. 1 - Our Words Monday, 16 May 2022 41 min listen Audio Episode one of our new podcast features the first of three conversations recorded at OUR WORDS in 2021, a unique

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Top hat header

History

performers out of work. At the same time, Frank Ford, had become concerned about the flood of visiting comedians in the Fringe program. "The Fringe was intended to be a national showcase for new talent

Media Release

24 Dec 2021

The gift that keeps on giving – Ian and Pamela Wall fund provides arts experiences for South Australian children and teens in perpetuity

Media Release

1 May 2024

Dutch pianist Joep Beving brings acclaimed Hermetism tour to Adelaide’s Her Majesty’s Theatre

Media Release

30 Mar 2022

Celebrating 20 years of Adelaide Festival Centre’s inSPACE

Digital

IMG 3726
Article
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5 min read

Artist Salvador Flores Loreto donates last portrait of Don Dunstan to Adelaide Festival Centre

his craft. In 1966, Loreto began his life in Australia. This move inspired a new energy in his artistic expression with the discovery of new freedoms, rich landscapes, and Australia’s characteristic

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Robbery Under Arms program

been cleaned and conserved by Artlab. Credit Line Robbery Under Arms program, New Tivoli Theatre, 1918, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Nicholas HANISCH

, Hanisch attended the New York Studio School, practiced and exhibited in Berlin, participated in residencies across India, and graduated with First Class Honours as a scholarship recipient at Adelaide Central School of Art. Showing 1 – 1 of 1 results Riff & Reprise Nicholas HANISCH (2023)

Digital

Virginia Gay Adelaide Cabaret Festival 2024 Artistic Director Photo by Claudio Raschella
Article
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2 min read

Thank you for being a champion for the future of Cabaret! ​

Festival is able to invest in the future of cabaret, supporting the development of new works and the brightest emerging cabaret artists.  We are truly grateful for your support, and we can't wait to welcome you back in 2025 for the 25th anniversary of Adelaide Cabaret Festival! 

Media Release

10 July 2023

Celebrating First Nations at Adelaide Festival Centre

Digital

CFA FTA 2560x1442 MODO1207 ADELAIDE
Article
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4 min read

Uplifting musical transcends borders

justice to the heart-warming story of thousands of stranded passengers and the small town in Newfoundland, Canada, that welcomed them all. It’s been dubbed “aggressively nice” by New York Magazine, has

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pdf 252KB

The Real Reason People Wont Change HBR

differently than they usually do. After running several such tests, employees may feel ready to reevaluate the big assumption itself—and possibly even replace it with a new worldview that more accurately
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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

The King and I set model designed by Brian Thomson, 1991 

In 1991, the Adelaide Festival Centre Trust produced The King and I to critical acclaim. After a successful Australian tour, the Trust made the ambitious decision to take the production to New York

Digital

From the wings
Article
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2 min read

From the Wings

Digital From the Wings Wednesday, 11 May 2022 2 min read Article Enjoy thought-provoking conversations from some of Adelaide Festival Centre’s most memorable events with our new podcast, From

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Barbara Hepworth

inspiration for her artwork. Hepworth's work was exhibited in a solo show in London in 1937 and won increasing recognition in the decade following the Second World War. She exhibited in New York

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The Twits Shake n Stir Teacher PL 2023 16

Professional Learning

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