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Digital

Untitled design
Article
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10 min read

OzAsia Festival interns share their top picks for the 2023 program

three interns from the Chinese University of Hong Kong: Kelvin Ho, Jenny Pan, and June Wong. In this interview, Kelvin, Jenny and June talk about their interest in arts, differences between the Hong

Digital

Annette Shun Wah The First 50 Podcast 1
Audio
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40 min listen

The First 50 Podcast — Episode 9: Annette Shun Wah

-winning Banquet Ten Courses to Harmony, exploring the ways in which the Chinese integrated into Australian society through food.  From 2013 to 2022, Annette led Contemporary Asian Australian Performance (CAAP

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Shoes from The Motherly and Auspicious, directed by Patricia Hackett, 1952

Shoes from The Motherly and Auspicious, directed by Patricia Hackett, 1952 Performing Arts Collection Amateur Theatre Expand Credits Creator(s) Patricia Hackett Year 1952 Classification / Medium

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Hong Kong Dragon Lantern Moon Lantern Trail Oz Asia Festival 2021 Photo Credit Xplorer Studio

History

engaging with Asia, attracting audiences of up to 200,000 each year. Joon-Yee Kwok is the current (2024) Artistic Director & Executive Producer. Adelaide Festival Centre welcomed Annette Shun Wah

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Tianli ZU

Tianli ZU Born 1963 (Beijing, China) Biography Dr. Tianli Zu is an Australian multimedia artist. After graduating from the Central Academy of Fine Arts with a BA, she moved to Sydney in 1988. In 2010

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2022 08 23 OPERA TRAV GDR Z7 0290

State Opera South Australia

of the National Opera in Canberra, La clemenza di Tito. He was nominated as Artist of the Year by Limelight Magazine in 2021. In the current season Dane conducts new productions of Carmen for West

Digital

Minister the Hon Penny Wong and Artist Tianli Zu Photo by Naomi Jellicoe
Article
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5 min read

Penny Wong Unveils Portrait at Adelaide Festival Centre

the years, but when Tianli contacted me, she spoke so much about her experiences as a Chinese Australian. I hope this portrait says something more than about me, I hope it says something about our country

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pdf 1.7MB

Adelaide Festival Centre Trust 2022 23 Annual Report

activations, giving this beautiful new public space a terrific start. The year ended with the triumphant Disney Musical starring everyone’s favourite Nanny, Mary Poppins. With a stellar eight-week season

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Audience

Awards

The Australia-China Achievement Awards: Finalist Arts Category Governor's Multicultural Awards: Finalist Arts and Culture Awards - Organisation Category 2013 Art Music Award: Winner Excellence in Music Education

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pdf 3.9MB

Adelaide Festival Centre - Annual Report 2011-2012

Hawke International Fellowship, welcoming a young arts administrator from China to work with the organisation for a year for five years. Overall the Festival Centre has performed well financially

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pdf 1.6MB

Adelaide Festival Centre Trust 2021 22 annual report

engagement in the future. 4 | P a g e OFFICIAL 2021-22 ANNUAL REPORT for the Adelaide Festival Centre Trust This year, BASS Ticketing was replaced with a new arrangement with Ticketek. Details

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