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Let them Eat Chips
, and housing groups, to the prostitutes' collective. Political image making and poster production
were
often intertwined and particularly strong in the 1970s and up to the 1990s, when several Red
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On Stage Community Program
tours are also included. Parents, Guardians, Carers and Social workers
were
encouraged to stay for the duration of the sessions. Weekly sessions
were
run by experienced arts educators with additional
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Seven Days Of Blue (No. 3, 6, 7)
people
were
herded onto missions and reserves where, he says, they
were
metaphorically bleached: bleached of their language, bleached of their children, bleached of their pride, bleached of their everyday
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Digital
Article
|
4 min read
Foundation Impact Stories: Empowering Dreams
students in On Stage, including Kate (16) and Emily (14), who
were
active members of the On Stage Community Program throughout 2023. Launched in 2023 and supported by the Adelaide Festival Centre Foundation
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Digital
Article
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5 min read
Celebrating OzAsia Festival 2023
from 13 countries. The festival included three world premieres, seven Australian premieres, and nine Adelaide premieres. Audiences
were
treated to captivating performances across theatre, music
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Digital
Article
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5 min read
Foundation Impact Stories: From Adelaide Cabaret Festival to London’s West End
the clear potential, the challenges
were
immense. "People
were
excited about the idea," Blake recalls, "but it's a tough bet." Throughout 2017, she found herself in a whirlwind of meetings with companies
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Adelaide Festival Centre - Annual Report 2005-2006
restaurant. 6 Chairman’s Report During 2005-06 a total of 370 000 tickets
were
sold to almost 700 performances hosted by the Adelaide Festival Centre and there
were
a further 345 000 attendances
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Digital
Article
|
3 min read
Our commitment to reconciliation
Reconciliation Sculptures. Dedicated to the Kaurna People as a reconciliation gift recognising their ownership and custodianship of the Adelaide Plains, the sculptures
were
designed in consultation
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Wash and War
with established practices of pottery and craft and
were
neither functional or necessarily aesthetic and made statements about society. Works from the Wash and War series created between 1976 and 1977 are held
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with our Exhibitions and Collections Throughout the year, donors
were
invited along to a range of behind-the-scenes experiences with our Exhibitions and Collections team. These included; 1974: Stage
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