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Hero ZOOOM credit Matt Byrne 2 EDIT

Patch Theatre

at Sydney Festival, Adelaide Festival and WOMAD. Geoff founded Bluebottle in 1998, an award-winning lighting design company which integrates outstanding lighting design into theatres, galleries

Digital

Panel 3 trentino
Audio
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58 min listen

From the Wings: Ep. 12 OUR WORDS: Aboriginal Narratives

of Winda Film Festival, Yaegl woman Pauline Clague join OUR WORDS for its third and final panel – Aboriginal Narratives. They will discuss the construction of Indigenous narratives and why it’s important to maintain the unique storytelling process. Listen on Apple Podcasts Listen on Soundcloud

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

The Recruiting Officer set design by Stan Ostoja-Kotkowski, 1968

Line Set design, The Recruiting Officer by Stan Ostoja-Kotkowski, 1968, reproduced courtesy of A & E Booth, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Sun Music headdress designed by Kenneth Rowell, The Australian Ballet, 1968

and danger. Credit Line Sun Music headdress worn by Wendy Moyle, designed by Kenneth Rowell, 1968, gift of The Australian Ballet, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Our Ancestors

, ‘This piece of artwork represents my interpretation of the creation of our ancestor’s. The many tribes pathing their own journeys, but always being one nation.’ – Donna Larkins   Credit Line Acquired from the exhibition OUR MOB 2022 Adelaide Festival Centre Works of Art Collection Expand

Digital

From the wings
Audio
|
61 min listen

From the Wings: Ep. 7 INDISCUSSION - Where I F**ked Up: Tales of Resilience

Fitzgerald in a funny and insightful conversation about their work at the inSPACE inDISCUSSION talks at the 2022 Festival Plaza reopening weekend celebration. From the Wings · Ep. 7 INDISCUSSION - Where I F**ked Up: Tales of Resilience Listen on Apple Podcasts Listen on Spotify

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Program from Colin Ballantyne's Othello, 1947 

Australia, in a number of which future Labor Premier Don Dunstan acted. Credit Line Program for Colin Ballantyne's 1947 production of Othello, 1947, gift of Colin Ballantyne, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Dame Judith Anderson costume for John Brown’s Body

, donated by Dame Judith Anderson, Performing Arts Collection, Adelaide Festival Centre, photographed by Grant Hancock Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Yantabinjie score, Jack Fewster and Frederick J Mills, 1921

Fewster, Dolly and Charles Cawthorne and Mrs D M McCade, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Olive BISHOP

, Powerhouse Museum, and Australian War Memorial. She was also the commissioned feature artist for the Adelaide Festival of Arts poster in 1978. Showing 1 – 1 of 1 results Wash and War Olive BISHOP (1976)

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

The King and I costume design by Roger Kirk, 1991

. Credit Line The King and I costume design, Roger Kirk, 1991, Performing Arts Collection, Adelaide Festival Centre, reproduced courtesy of Roger Kirk Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Princess Theatre trowel, 1912

at the laying of the foundations stone, 1912, donated by Brenton Hussey, Performing Arts Collection, Adelaide Festival Centre. PhotographCentre, photograph by Tess Potiki Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Theatre Royal record book, 1879 - 1901

theatre in South Australia to have a public film screening in 1896.   Credit Line Theatre Royal Adelaide ledger with handwritten entries, 1879 – 1901, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

John Wegner as character of Alberich, Der Ring des Nibelungen (2004)

with institutions such as the Adelaide Symphony Orchestra and Adelaide Festival Centre Trust to stage innovative performances. The Performing Arts Collection holds costumes, designs, props and set pieces from

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The roof of Festival Theatre, projected with musical notes. The photo is taken at night time.

Adelaide: UNESCO City of Music

Adelaide: UNESCO City of Music A Creative City, with music as its heartbeat enriching the whole state of South Australia. Homepage About Us Our History Adelaide is home to countless independent

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

Bridgette MINUZZO

assistant and tutor. She has been commissioned by Adelaide Festival Centre, Art Gallery of South Australia, Flinders Medical Centre, ANAT and several Adelaide Councils to produce public art, video

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Mlt22 faq sheet

Road, or North Terrace. Tram stops are also available on King William Road (Festival Plaza) and North Terrace (Train Station). Please see the Adelaide Metro mobile app or website for timetables. WHERE

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A photo taken from the riverbank of Adelaide Festival Centre, with a view of surrounding buildings in the background.

G costume designed by Daniel Jaber and Gaelle Mellis, Australian Dance Theatre, 2009

fabric was selected specifically to add to the modernity of the show. Credit Line G costume worn by Gabrielle Nankivell, designed by Daniel Jaber and Gaelle Mellis, 2009, gift of Australian Dance Theatre, Performing Arts Collection, Adelaide Festival Centre Expand Credits

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