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Media Release

9 Aug 2022

OzAsia festival announces 2022 program

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2014 OUR MOB catalogue

(set of 4), 21 x 15 x 20.5 cm (mid size) Adelaide Christina Gollan b. 1967 Ngarrindjeri Birds Around ceramic, Feeneys Dark Clay, hand made with coils and underglaze (set of 4), 47 x 30 x 46 cm Adelaide
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pdf 288KB

Dream BIG 2023 Access Guide FAMILIES 130123

participants are invited to decorate a wooden silhouette of a native bird, and add the bird to our growing aviary (or take the bird home to keep!) Venue: Festival Plaza Entry: Located on the Festival
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2019 OUR MOB catalogue

Ceduna Lena Rigney b.1952 Ngarrindjeri Black Swans The Blue Wren/Wa:Tji Bird Ku Arts Linda Bromley b.1975 Wangkangurru Yarluyandi My Life’s Songlines Adelaide Linda Turner b.1966 Kokatha/Narrunga
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pdf 2.7MB

Adelaide Festival Centre - Annual Report 2009-2010

) The Sound and The Fury (Adelaide Festival) APAM 2010 (Arts Projects Australia) SACE Dance Day SACE Drama Day Space Theatre Man Covets Bird (Slingsby in association with Adelaide Festival Centre’s
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2011 OUR MOB catalogue

the state to share their experience in the development The Anangu Story, Desert To Dunes, Buffalo, Bird and Bandicoot importance to the Arrabanna people. and promotion of Indigenous artists and art
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2015 OUR MOB catalogue

Kokatha Night Bird 2015 Photographic print from light painting video 50 x 70cm © Courtesy of Tjutjuna Arts and Culture Centre DONNY MCKENZIE b. 1966 Adnyamathanha Untitled 2015 Glazed and etched
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pdf 1.1MB

Participant Guide 2024 Arts Leadership

:30am-5pm Exhibited over 8 hectares, and home to 250 species of native and exotic mammals, reptiles, birds and fish. Go on a free guided walking tour, or make a schedule to see as many free keeper talks
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Por Por Programme compressed

OF CENTRE FOR CREATIVE LEARNING James Wu MANAGER David Tan PROJECT MANAGER Molly Bird OFFICER Jenny Mak ENGAGEMENT OFFICER Seren Chen RESIDENT TEACHING ARTIST Rachel Nip VENUE VENUE AND ADMIN MANAGER
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Participant Guide 2023 Arts Leadership

, reptiles, birds and fish. Go on a free guided walking tour, or make a schedule to see as many free keeper talks as possible. Better yet, book an Animal Experience, and come face-to-face
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Oz Asia Por Por Programme v3

Bird OFFICER Jenny Mak ENGAGEMENT OFFICER Seren Chen RESIDENT TEACHING ARTIST Rachel Nip VENUE VENUE AND ADMIN MANAGER Allison Lai VENUE ASSISTANT Rajkumar Thiagaras TECHNICAL MANAGER Lee Kong-Shen
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pdf 2.7MB

2022 Impact of Giving report

-Gerald, Marjorie Fitz-Gerald OAM (Fellow), Dr Pamela Wall OAM and Dr Ian Wall AM (Founders) Photo: Claudio Raschella Maude Parker in front of her painting Birds and Butterflies, acrylic on canvas, 76cm
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OUR MOB 2024 Catalogue

Nanna’s country Tjukulpa Kaliah Lennon-Gray Mirning Story of Three Sisters Kat Bell Gudjal, Girramay Mother’s Tears Birds in the Wilderness Kelly Bray Arrernte (central-Southern) 3 Worlds Kristal
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2023 Dream BIG Teachers Resource updated links 24 Oct

students explore still photography, image manipulation and stop motion animation. They begin by drawing a basic birds-eye-view map of the school and make a list of the creatures they expect to find
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Adelaide Festival Centre - Annual Report 2014-2015

spaces through BASS up to 24 hours prior to a performance. Parking options include: Early Bird (in by 9.30am and out by 6.30pm); Casual by the hour (until 6.30pm); Performance / evening flat rate
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CentrED Learning Resource - Rock n Roll City - Eric Algra 2022

is the viewpoint: birds’ eye, high angle, eye level angle and low angle? How close is the photographer to the subject? Is it a close-up, a wide shot?How does this change the perspective or impact? Does
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pdf 896KB

Adelaide Festival Centre - Annual Report 2005-2006

of Australian Studies, University of Tokyo and previously Senior Lecturer in Australian Studies, Flinders University, and member of the Adelaide Festival Centre Foundation Advisory Committee, hosted a tour
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CentrED Learning Resource - Moon Lantern Parade 2019

that will not be illuminated by the interior light. For example, if the design of a bird with outstretched wings is very narrow, the end of the wings might not be illuminated. This could be overcome
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pdf 6.6MB

Adelaide Festival Centre - Annual Report 2013-2014

Walkley Media Symposium, University O’Week promotions, Portrait Workshop, A Delicate Situation open rehearsal, Advocates hosted event, Little Bird after party with Red Carpet. Now in its sixth year
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Adelaide Festival Centre - Annual Report 2008-2009

the facility for patrons to pre-book car park spaces through BASS up to 24 hours prior to a performance. Parking options include: Early Bird (in by 9.30am and out by 6.30pm); Casual by the hour
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