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Weekend of Words
Sessions and Events
to attend. Home Weekend of Words No results
were
found Navigate the weekend with OzAsia Festival's Weekend of Words planner View here (2.0MB PDF) Discover OzAsia Festival's Weekend of Words Uncover
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The Frank Ford Commission
Australia to be in the audience for the first show. They had heard about it, had got in touch, and
were
excited to see the outcome. Fortunately, they
were
absolutely blown away by the show, and have
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Media Release
13 Nov 2024
OzAsia Festival 2024 Closes With a Mighty Roar Over 200,000 Attendances in 2024
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Tanya Moisiewitsch
in twentieth century theatre design. Usually designing both costumes and sets for the productions in which she was involved, Moiseiwitsch’s unique creations
were
commissioned for premier drama and opera
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Weekend of Words
Workshops and Book Club
at Dunstan Playhouse Reception desk open one hour prior to each session. Home Weekend of Words No results
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found Discover the rest of OzAsia Festival's Weekend of Words Uncover a world of words
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Dame Judith Anderson
interpretations of Medea and Lady Macbeth and was an Academy Award nominee for Alfred Hitchcock’s film Rebecca in 1940. In 1984 Paramount Pictures Studio with a cultural coup had the legendary actress appear as Vulcan High Priestess T’Lar in Star Trek III: The Search for Spock. No results
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found
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Family Friendly Film Special Event Weekend of Words Music Talks $30 tickets for under 30 Filter by Time All Matinee Evening Free shows Accessible shows Apply filters No results
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Sir Robert Helpmann
Ballet alongside Dame Peggy van Praagh, his role as the iconic Child-Catcher in the film Chitty Chitty Bang Bang, dancing and choreographing for London’s Sadler Wells Theatre Ballet and having Australia’s premier performing arts award named in his honour. No results
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found
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Media Release
25 Oct 2022
OzAsia Festival celebrates 66,000 opening week attendances including 25,000 at Moon Lantern Trail
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Media Release
28 Nov 2023
Commemorative Artworks for Adelaide Festival Centre’s 50th Anniversary Unveiled
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Jack Fewster
lifetime he composed more than two hundred and fifty songs, many of which
were
published. Fewster is best known for his song writing and music theatre collaborations with Tom King, and especially
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The King and I costume design by Roger Kirk, 1991
with casting and costuming. Fabrics and head-dresses
were
sourced directly from Bangkok. The King and I was nominated for eight Tony Awards, four of which it won including for Best Costume Design by Roger Kirk
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Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980
Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980 Performing Arts Collection Musical Theatre Expand Credits Year 1980 Description The sets for Evita
were
made in Adelaide Festival
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The Real Reason People Wont Change HBR
too close to the mainstream made him feel very uncomfortable, as if he
were
becoming “one of them” and betraying his family and friends. So when people gathered around his ideas and suggestions, he’d
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Our History
The Maj's History
further declined and the theatre’s bars
were
shuttered after dark. The six o’clock closing restriction was finally lifted by Premier Don Dunstan fifty-two years later in 1967. 1920 – 1929 | The Prince
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Restless Dance Theatre
is celebrated, and all artists thrive creatively. Go to website Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt What's On No results
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Jack Fewster and Tom King archive, 1918 –1932
of the most significant collections is the Jack Fewster and Tom King music theatre archive 1918 –1932. Fewster and King
were
Australia’s first music theatre song-writing duo, and the archive forms
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Digital
Article
|
5 min read
Foundation Impact Stories: Black Women BACK in Focus
photographs, archival materials, and firsthand stories from the Aboriginal women who
were
at the forefront of the festival in 1985. Curated festival memorabilia, historical photographs, and personal
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6.6MB
Adelaide Festival Centre - Annual Report 2013-2014
and bistro
were
completed in 2013/14 and along with the new Adelaide Oval it has given us an insight in our future. We only have to look across the River to see how new infrastructure can drive audiences
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42 min listen
The First 50 Podcast — Episode 3: Rhonda Burchmore & Todd McKenney
with host Libby O'Donovan. Listen on SoundCloud Listen on Spotify Listen on Apple Podcasts Listen on Amazon Music It was the bravest act... mind you I quite enjoyed it! There
were
18 pigeons and I used
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