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6 min read
Foundation Impact Stories: Simply the Best Experience
Digital Foundation Impact Stories: Simply the Best Experience Thursday, 30 May 2024 6 min read Article A group of 20 young community members and emerging creatives
were
invited to enjoy a performance
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Program
Family Friendly Film Special Event Weekend of Words Music Talks $30 tickets for under 30 Filter by Time All Matinee Evening Free shows Accessible shows Apply filters No results
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Sir Robert Helpmann
Ballet alongside Dame Peggy van Praagh, his role as the iconic Child-Catcher in the film Chitty Chitty Bang Bang, dancing and choreographing for London’s Sadler Wells Theatre Ballet and having Australia’s premier performing arts award named in his honour. No results
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Shake stir THE TWITS TRK 2023 LR
concerned about, that the children
were
going to be made into pie or that their pants
were
missing? - What else about the Twits might the parent have a complaint about? - How does the parent view
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Jack Fewster
lifetime he composed more than two hundred and fifty songs, many of which
were
published. Fewster is best known for his song writing and music theatre collaborations with Tom King, and especially
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Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980
Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980 Performing Arts Collection Musical Theatre Expand Credits Year 1980 Description The sets for Evita
were
made in Adelaide Festival
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The King and I costume design by Roger Kirk, 1991
with casting and costuming. Fabrics and head-dresses
were
sourced directly from Bangkok. The King and I was nominated for eight Tony Awards, four of which it won including for Best Costume Design by Roger Kirk
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Media Release
6 Nov 2023
Cheers and Applause Close Out OzAsia Festival 2023 More than 180,000 Fans, Families and Foodies Attend
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Media Release
6 Nov 2023
Cheers and Applause Close Out OzAsia Festival 2023 More than 180,000 Fans, Families and Foodies Attend
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Home Companies
Restless Dance Theatre
is celebrated, and all artists thrive creatively. Go to website Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt What's On No results
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Jack Fewster and Tom King archive, 1918 –1932
of the most significant collections is the Jack Fewster and Tom King music theatre archive 1918 –1932. Fewster and King
were
Australia’s first music theatre song-writing duo, and the archive forms
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About
The Frank Ford Commission
Australia to be in the audience for the first show. They had heard about it, had got in touch, and
were
excited to see the outcome. Fortunately, they
were
absolutely blown away by the show, and have
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Media Release
13 Nov 2024
OzAsia Festival 2024 Closes With a Mighty Roar Over 200,000 Attendances in 2024
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Media Release
28 Nov 2023
Commemorative Artworks for Adelaide Festival Centre’s 50th Anniversary Unveiled
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Henri BASTIN
of paradise with outstretched wings
were
a recurring motif in his paintings. His works are held in other major public collections including the National Gallery of Australia and Heide Museum of Modern
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Gaslight costume design by Ailsa Paterson, 2020
Australian arts venue following the COVID-19 closures in March 2020. Audiences, performances and production crew
were
very grateful to be back in the theatre, despite tough new COVID-19 safety
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Media Release
25 Oct 2022
OzAsia Festival celebrates 66,000 opening week attendances including 25,000 at Moon Lantern Trail
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Oedipus the King/Oedipus at Colonus costume designed by Tanya Moiseiwitsch, 1978
Classification / Medium Costumes Description Sophocles’ tragedies Oedipus the King and Oedipus at Colonus
were
performed by the State Theatre Company of South Australia in 1978. Costume and set designer Tanya
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Digital
Article
|
5 min read
Foundation Impact Stories: Black Women BACK in Focus
photographs, archival materials, and firsthand stories from the Aboriginal women who
were
at the forefront of the festival in 1985. Curated festival memorabilia, historical photographs, and personal
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Birds and Butterflies
would like to put a painting in the 2006 first OUR MOB exhibition as they
were
looking for artists to enter. Parker decided to give it a go and entered her first painting. This exhibition began
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