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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Gaslight costume design by Ailsa Paterson, 2020 

Australian arts venue following the COVID-19 closures in March 2020. Audiences, performances and production crew were very grateful to be back in the theatre, despite tough new COVID-19 safety

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Henri BASTIN

of paradise with outstretched wings were a recurring motif in his paintings. His works are held in other major public collections including the National Gallery of Australia and Heide Museum of Modern

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Oedipus the King/Oedipus at Colonus costume designed by Tanya Moiseiwitsch, 1978 

Classification / Medium Costumes Description Sophocles’ tragedies Oedipus the King and Oedipus at Colonus were performed by the State Theatre Company of South Australia in 1978. Costume and set designer Tanya

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Adelaide Festival Centre - Annual Report 2012-2013

of programming across the range of our venues meant there was truly something for everyone – regardless of whether you were a first time visitor to the Centre or a season subscriber to one (or more

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Adelaide Festival Centre - Annual Report 2004-2005

technicians were brought from the USA to re-tune the LARES acoustic system, specifically to match the staging parameters of this new production. BASS, the Centre’s ticketing service, sold tickets

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Birds and Butterflies

would like to put a painting in the 2006 first OUR MOB exhibition as they were looking for artists to enter. Parker decided to give it a go and entered her first painting. This exhibition began

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Legendary textile tales learning resource

– Salisbury East High School, Shyra – Craigmore High School Artworks were developed by the students of Salisbury East High School and Craigmore High School with the mentorship of Caitlin Bowe, for Adelaide

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Conchiglie

by the beautiful and simple forms of fossilised shells. These images were implanted in her mind and became the starting point of Conchiglie (meaning shells), which she produced during her residency in Italy

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Digital

Festival Centre staff what their favourite genres were to read. Read article 5 min read 28 Oct 2024 Books and Nooks with OzAsia Festival's Weekend of Words Speakers Ever wondered how writers organize

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

David ASPDEN

works were included in the ground-breaking National Gallery of Victoria exhibition The Field in 1968 that changed the national perspective of art. In 1970, Aspden was described as "Australia's leading

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

River Murray Scenes (And Other Land - and Seascapes)

composed.' As the artwork title suggests River Murray Scenes (and Other Land – and Seacapes) were painted from life on the River Murray near Loxton. Williams’ works have genuinely changed how many

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Paradise Australia

painting in the 1950s while working on a Queensland sheep grazing property owned by art collector and patron Major Harold de Vahl Rubin. Bastin’s naïve paintings were made in the manner of French

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Windmill Theatre

Windmill Theatre Company

company in the country. — The Australian What's On No results were found Let the play begin with Windmill Play full video Digital Experiences Windmill Theatre Company aims to instil a lifelong love

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Adelaide Festival Centre - Annual Report 2014-2015

showcase performances that have headlined the 2014 Festival. Red Sorghum and Dream of the Ghost Story were two of the biggest shows ever performed as part of OzAsia and helped raise the level

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Australian Dance Theatre

dance, committed to creating dance works of the highest standard that are intellectually and artistically compelling.  Go to website No results were found

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