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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

BRERETON Janet

vernacular. She is best-known for her large-scale brightly coloured macramé tapestries. She used the same technique and 24mm thick rope for all her tapestries. Her artworks were made from knotted cotton rope

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Vibra 2

by the iridescence of the colour ... not only did the colour seem to be vibrating with intensity but at the same time it gave the impression of being something solid. [...] The surroundings were drowned

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Sculpture No. 2

at the UniSA South Australian School of Art, where he became Head of Sculpture. It was during this period that some of his best-known works were produced including The Spheres affectionately called ‘Malls Balls

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Foundation Impact Stories: centrED hosts a magical Mary Poppins experience!

." — Teacher, Northern Adelaide State Secondary Schools Alliance All costs were covered as a joint effort between the Mary Poppins Australia team who provided discounted tickets and Adelaide Festival

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Ian & Pamela Wall Gallery

generosity of Ian Wall AM and his wife Pamela Wall OAM. Opening hours The Ian and Pamela Wall Gallery, along with the Pickard Terrace, is free to visit and open to the public before and during performance times and for special exhibitions during major festivals. What's On No results were found

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2 Oct 2024

Adelaide Guitar Festival Hits the Right Note

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2 Oct 2024

Adelaide Guitar Festival Hits the Right Note

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Adelaide Festival Centre - Annual Report 2014-2015

showcase performances that have headlined the 2014 Festival. Red Sorghum and Dream of the Ghost Story were two of the biggest shows ever performed as part of OzAsia and helped raise the level

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Three Ladies on a Log

experiences were so different from what Australian children know today. I want to tell my story, so they don’t ever do it again. They took away my family, my culture and who I could have been

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Sir Robert Helpmann

were raised by the Friends of the Festival in a campaign underwritten by the State Government Insurance Commission (SGIC). Unveiled by Her Majesty Queen Elizabeth II, 10 March, 1986. Adelaide Festival Centre Works of Art Collection. Expand

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Adelaide Festival Centre Trust 2021 22 annual report

outcomes. The Moon Lantern Festival for example, a traditional highlight of the OzAsia program evolved into the Moon Lantern Trail. Spread over four days, audiences were encouraged to rove through

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Brochure Art Start centr ED 2020 photo credit Amber Eyes 1

Educational

20 Feb–1 May '25

2025 DreamBIG Statewide Professional Learning Program

The Department for Education is proud to partner with DreamBIG Children’s Festival to offer statewide professional learning based on the learning sequences in the Teaching and Learning Resources.

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Truc Truong Have You Eaten Gallery low res credit Tess Potiki

Children's Artspace

Playhouse and Space Theatre performance times. Current exhibitions No results were found Explore more 3D tours of our past exhibitions Kaleidoscope: Playing with Colour Legendary Textile Tales Keen

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26 Oct 2021

OzAsia Festival celebrates record-breaking opening week with 100,000 attendances including more than 40k at Inaugural Moon Lantern Trail

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8 Nov 2022

More than 175,000 attend the 15th OzAsia Festival as Lucky Dumpling Market, Entertainment and Exhibitions Continue

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Adelaide Festival Centre - Annual Report 2008-2009

office and ancillary income streams. Strategies were put in place to contain costs and manage a tough year of readjustment. Over the twelve month period attendances at ticketed events were 441,757

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Iteka Ukarla SANDERSON-BROMLEY

was selected as the City of Adelaide’s NAIDOC artist of the year. In 2023, her artworks were acquired by the Governor of South Australia and Adelaide Festival Centre’s Works of Art Collection. Her work

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Slingsby

. If more theatre were like this, the world would be a magical place indeed. — Australian Stage Online Andy Packer Artistic Director, Slingsby Andy is a director of theatre, music theatre and opera. He has

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June '24 Moving Image Program

with which different beliefs were absorbed and respected by one another. I began to look closely at objects that act as symbols and containers for meaning and memory, drawing similarities to the stories

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Tall Women

series for La Triennale di Milano in 1973. These ten iconic figures were then acquired by Adelaide Festival Centre and form a memorable part of the Works of Art Collection. Born in 1935, Dudley

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20 Feb–1 May '25

2025 DreamBIG Statewide Professional Learning Program

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